A woman who wishes to become a priest hires a lawyer to file suit against the Archdiocese of New Orleans.

An unflinching look at how women are treated in the USA today examining issues such as workplace harassment, domestic violence, rape and sexual assault. It shows how discriminatory attitudes still prevail and influence society and argues for the need to improve laws that claim to protect women.

Matilde is a nun convinced that faith moves mountains. She secretly begins a mystic fasting to end what she considers to be the second great flood. Elena is a thin and fashion-conscious woman ashamed of her daughter's chubbiness. She's willing to do the impossible to make her daughter Linda thin so Linda will look like a little princess on the day she receives her first communion. At the same time Elena's husband Gustavo - a professor of architecture - cannot cope with his wife's bones poking him during intimate moments so he turns his attention to a buxom female student with a hearty appetite.

In Paris it was Latvian dancer and publicist Aia Bertran who together with her husband – American artist, philosopher and dancer Raymond Duncan formed alternative education centre Akademia Paris on beginning of 20th century. The centre was know for its special reference to Ancient Greek philosophy, which promotes healthy living and hight ethics. Centre’s most known figure was Isidora Duncan - sister of Raymond which is known for her big influence on contemporary dance movements. Akademia was also known as a shelter for political and social refugees, as well as all sorts of imigrants like Aia herself.

MSNBC news and debate program.

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Cosmic revolutions beget earthly revolutions in a film about the 2024 solar eclipse, ecstasy, ghosts, birth, death and the English poet and preacher John Donne.

Actress and filmmaker Robyn Adams discusses her experiences with autism, gender identity, and learning to embrace her flaws. Also, she's Frankenstein's Monster now.

A scheming widow tries to persecute three old ladies, but fate takes its revenge on her.

The film is based on the feuilleton of the same name by I. Ilf and E. Petrov. A writer named Moldovantsev delivers a thrilling Soviet‐style Robinson Crusoe adventure on deadline, only to have his editor insist on adding a local party chairman, freed ex‐members, an activist collector, a housing committee and even a meeting table, bell and ledger washed ashore. Reluctantly he complies, so far that he jettisons Robinson himself as an unjustified weakling, transforming his novel into an absurd manifesto of bureaucratic excess.